THE PARENT TRAP
Ive been looking for this movie for so long…..
atlast….ive found it…
after all the searches that ive made in yahoo. and google…..
ive first watched it way back when i was in grade 4…
and i cant get of it..
i am really connected with the story for some reasons…
and i dont know why…
now i wanted to share it with you…
the parent trap!
Full cast and crew for
The Parent Trap (1998)
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Directed by |
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| Nancy Meyers | |||
Writing credits(WGA) |
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| Erich Kästner | (book “Das Doppelte Lottchen”) | |
| David Swift | (screenplay) and | |
| Nancy Meyers | (screenplay) & | |
| Charles Shyer | (screenplay) | |
Cast (in credits order) complete, awaiting verification
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Lindsay Lohan | … | Hallie Parker / Annie James |
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Dennis Quaid | … | Nick Parker |
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Natasha Richardson | … | Elizabeth James |
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Elaine Hendrix | … | Meredith Blake |
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Lisa Ann Walter | … | Chessy - Parker’s Housekeeper |
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Simon Kunz | … | Martin - James’s Butler |
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Polly Holliday | … | Marva Kulp, Sr. |
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Maggie Wheeler | … | Marva Kulp, Jr. |
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Ronnie Stevens | … | Grandpa Charles James |
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Joanna Barnes | … | Vicki Blake - Meredith’s Mother |
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Hallie Meyers-Shyer | … | Lindsay |
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Maggie Emma Thomas | … | Zoe |
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Courtney Woods | … | Nicole |
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Katerina Graham | … | Jackie |
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Michael Lohan | … | Lost Boy at Camp |
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Rachel Sullivan | … | Navajo Bunk Girl |
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Katie DeShan | … | Navajo Bunk Girl |
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Brighton Hertford | … | Navajo Bunk Girl |
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Jennifer Lin | … | Navajo Bunk Girl |
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Amy Centner | … | Navajo Bunk Girl |
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Mia Tramz | … | Navajo Bunk Girl |
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Christina Toral | … | Cell Phone Girl |
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Dana Ponder | … | Cell Phone Girl |
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Brianne Mercier | … | Cell Phone Girl |
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Danielle Sherman | … | Girl at Poker Game |
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Natasha Melnick | … | Girl at Poker Game |
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Amanda Hampton | … | Girl at Poker Game |
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Lisa Iverson | … | Bugler |
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Lisa Cloud | … | Camp Counselor |
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Kellie Foster | … | Camp Counselor |
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Heidi Boren | … | Camp Counselor |
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Marissa Leigh | … | Fencing Girl |
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Heather Wayrock | … | Fencing Girl |
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John Atterbury | … | Gareth |
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Hamish McColl | … | Photographer |
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Vendela Kirsebom Thomessen | … | Bridal Gown Model (as Vendela K. Thomessen) |
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Alex Cole | … | Richard (as Alexander Cole) |
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J. Patrick McCormack | … | Les Blake |
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William Akey | … | Bellhop with Flowers |
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David Doty | … | Hotel Bartender |
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Roshanna Baron | … | Lady at Pool |
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Annie Meyers-Shyer | … | Towel Girl |
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Brian Fenwick | … | Desk Clerk |
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Jonneine Hellerstein | … | Ship Photographer |
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Troy Christian | … | QE2 Dancer |
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Denise Holland | … | QE2 Dancer |
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Terry Kerr | … | Living Statue |
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Bruce A. Block | … | Tourist (as Bruce Block) |
| rest of cast listed alphabetically: | |||
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Chéri Ballinger | … | Blond camp girl (uncredited) |
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Beau Holden | … | Valet (uncredited) |
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Dina Lohan | … | Woman in Airport (uncredited) |
Create a character page for: Chessy - Parker’s HousekeeperMartin - James’s ButlerMarva Kulp, Sr.Marva Kulp, Jr.Grandpa Charles JamesVicki Blake - Meredith’s MotherLindsayZoeNicoleJackieLost Boy at CampNavajo Bunk GirlNavajo Bunk GirlNavajo Bunk GirlNavajo Bunk GirlNavajo Bunk GirlNavajo Bunk GirlCell Phone GirlCell Phone GirlCell Phone GirlGirl at Poker GameGirl at Poker GameGirl at Poker GameBuglerCamp CounselorCamp CounselorCamp CounselorFencing GirlFencing GirlGarethPhotographerBridal Gown ModelRichardLes BlakeBellhop with FlowersHotel BartenderLady at PoolTowel GirlDesk ClerkShip PhotographerQE2 DancerQE2 DancerLiving StatueTouristBlond camp girlValetWoman in Airport
Produced by |
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| Bruce A. Block | …. | co-producer | |
| Julie B. Crane | …. | associate producer | |
| Charles Shyer | …. | producer | |
Original Music by |
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| Alan Silvestri | |||
Cinematography by |
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| Dean Cundey | |||
Film Editing by |
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| Stephen A. Rotter | |||
Casting by |
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| Ilene Starger | |||
Production Design by |
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| Dean Tavoularis | |||
Art Direction by |
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| Alex Tavoularis | |||
Set Decoration by |
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| Gary Fettis | |||
Costume Design by |
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| Penny Rose | |||
Makeup Department |
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| Karen Blynder | …. | makeup department head | |
| Brad Wilder | …. | makeup artist (as Bradley Wilder) | |
| Joy Zapata | …. | hair stylist | |
Special Effects by |
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| Stuart Brisdon | …. | special effects supervisor: London | |
| Shawn Roberts | …. | special effects (as Derrell Shawn Roberts) | |
| Cliff Wenger | …. | special effects coordinator | |
| James Davis III | …. | special effects technician (uncredited) | |
Visual Effects by |
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| Jude Adamson | …. | digital artist (as Judith Adamson) | |
| David Wallace Allen | …. | visual effects previsualization | |
| Amir Bemanian | …. | digital system technician: CIS Hollywood | |
| Peter Brancaccio | …. | digital assistant | |
| Gayle Busby | …. | visual effects producer | |
| C. Marie Davis | …. | visual effects executive producer: C.I.S. | |
| Kira Edmunds | …. | digital assistant | |
| Larry Gaynor | …. | digital rotoscoping and paint: CIS Hollywood | |
| Gary Goldstein | …. | digital rotoscoping and paint: CIS Hollywood | |
| Jeff Heusser | …. | digital compositing supervisor: CIS Hollywood | |
| Fred Johnston | …. | visual effects sync supervisor | |
| Kenneth Jones | …. | visual effects supervisor: C.I.S. (as Ken Jones) | |
| Dawn Llewellyn | …. | visual effects editor: C.I.S. | |
| Thomas Mathai | …. | digital system technician: CIS Hollywood | |
| Suzanne Mitus-Uribe | …. | digital artist: CIS Hollywood | |
| Danny Mudgett | …. | digital artist: CIS Hollywood | |
| Gregory Oehler | …. | digital artist: CIS Hollywood | |
| Bob Peishel | …. | digital system coordinator: CIS Hollywood | |
| Landon Ruddel | …. | visual effects crew coordinator (as Landen Ruddell) | |
| Jim Rygiel | …. | visual effects supervisor | |
| Mark Sachse | …. | digital system technician: CIS Hollywood | |
| Daniel Aristoteles Collins | …. | systems/operations: Rhythm & Hues (uncredited) | |
| Doug Creel | …. | CG software programmer: Boss Film Studios (uncredited) | |
| Theresa Ellis | …. | visual effects supervisor (uncredited) | |
| Glenn Ramos | …. | animator (uncredited) | |
Stunts |
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| Marc Cass | …. | stunt coordinator | |
| Freddie Hice | …. | stunt coordinator | |
| Jennifer Caputo | …. | stunt double (uncredited) | |
| Colin C.L. Fong | …. | stunts (uncredited) | |
Casting Department |
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| Sarah Beardsall | …. | casting: UK | |
| Amy Jo Berman | …. | casting associate | |
| Elizabeth Boykewich | …. | casting assistant | |
| Barbara Harris | …. | adr voice casting | |
| Charlie Messenger | …. | extras casting | |
| Leann Emmert | …. | casting assistant (uncredited) | |
| Vanessa Portillo | …. | extras casting (uncredited) | |
Costume and Wardrobe Department |
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| Brad Anderson | …. | set costumer | |
| Carolyn Dessert | …. | wardrobe supervisor | |
| Julie Glick | …. | set costumer | |
| Yvonne Hobbs | …. | set costumer: London | |
| Mathew Hooey | …. | costumer | |
| Cherlyn Lanning | …. | costumer | |
| Brian Lawler | …. | set costumer: London | |
| Marina Marit | …. | costumer | |
| John Norster | …. | assistant costume designer: London (as Timothy John Norster) | |
| Janet Tebrooke | …. | wardrobe supervisor: London | |
| Vera Wang | …. | costume designer: wedding gowns | |
| Mei Lai Hippisley Coxe | …. | assistant to costume designer (uncredited) | |
| Tess Inman | …. | costumer (uncredited) | |
| Andrew Nelson | …. | set costumer (uncredited) | |
Editorial Department |
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| David Barrett | …. | first assistant editor: London | |
| Bob Berman | …. | assistant editor | |
| Laura Lee Bong | …. | second assistant film editor (as Laura Bong) | |
| James Durante | …. | assistant editor: avid (as James D. Durante) | |
| Rolf Fleischmann | …. | first assistant film editor | |
| Dale E. Grahn | …. | color timer (as Dale Grahn) | |
| Marisa Morabito | …. | apprentice editor | |
| Mary Beth Smith | …. | negative cutter | |
| Cort Wright | …. | apprentice film editor | |
Music Department |
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| David Bifano | …. | music programmer | |
| Lisa Brown | …. | additional music consultant | |
| Sandy DeCrescent | …. | orchestra contractor | |
| Nora Felder | …. | additional music consultant | |
| Bonnie Greenberg | …. | music supervisor | |
| Kenneth Karman | …. | additional music editor | |
| The Lovin’ Spoonful | …. | music performers: “Do You Believe in Magic?” | |
| Allan Mason | …. | music supervisor | |
| Kathy Nelson | …. | executive in charge of music: The Walt Disney Motion Pictures Group | |
| Andy Razaf | …. | composer: song “In the Mood” | |
| Jay B. Richardson | …. | additional music editor (as Jay Richardson) | |
| William Ross | …. | orchestrator | |
| Dennis S. Sands | …. | score mixer (as Dennis Sands) | |
| Dennis S. Sands | …. | score recordist (as Dennis Sands) | |
| Andrew Silver | …. | music consultant | |
| Andrew Silver | …. | music editor | |
| Alan Silvestri | …. | conductor | |
| Jacqueline Tager | …. | assistant music editor | |
Transportation Department |
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| Jan Dally | …. | driver: Meyers/Shyer | |
| Paul Grahame | …. | driver: London, Meyers/Shyer | |
| Wendy S. Hallin | …. | transportation captain (as Wendy Hallin) | |
| Stephen A. Latina | …. | transportation captain | |
| Barry Newell | …. | unit transportation manager: London | |
| Tom F. Thomas | …. | transportation coordinator | |
| John A. Brubaker | …. | driver: set dressing (uncredited) | |
| Ian Clarke | …. | vehicle technician (uncredited) | |
| Manny Demello | …. | driver (uncredited) | |
| Dana Schisler | …. | driver (uncredited) | |
| Sean Shepherd | …. | driver (uncredited) | |
Thanks |
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| Giorgio Armani | …. | special thanks | |
| Stacey Attanasio | …. | special thanks | |
| Willie Brown | …. | special thanks (as Willie L. Brown) | |
Crew believed to be complete
This soundtrack is available from Amazon.com
Please note that songs listed here (and in the movie credits) cannot always be found on CD soundtracks. Please check CD track details for confirmation.
- “L O V E”
Written by Bert Kaempfert and Milton Gabler (as Milt Gabler)
Performed by Nat ‘King’ Cole
Courtesy of Capitol Records
Under license from EMI Music Special Markets - “Happy Club”
Written by Bob Geldof and Karl Wallinger
Performed by Bob Geldof
Courtesy of Polydor Records and Mercury Records Ltd.
By Arrangement with PolyGram Film & TV Music - “Soulful Strut”
Written by Eugene Record and William Sanders
Performed by Young Holt Unlimited
Courtesy of Brunswick Records Corp. - “Top Of The World”
Written by Richard Carpenter and John Bettis
Performed by Shonen Knife
Courtesy of Virgin Music Japan Ltd./A&M Records, Inc.
By Arrangement with PolyGram Film & TV Music - “Bad To The Bone”
Written by George Thorogood
Performed by George Thorogood & The Destroyers
Courtesy of EMI Records - “The Great Escape March”
Written by Elmer Bernstein and Albert Stillman (as Al Stillman) - “Do You Believe In Magic”
Written by John B. Sebastian
Performed by The Lovin’ Spoonful
Courtesy of BMG Entertainment International - “There She Goes”
Written by Lee Anthony Mavers
Performed by The La’s
Courtesy of Polydor Ltd.
By Arrangement with PolyGram Film & TV Music - “Here Comes The Sun”
Written by George Harrison
Performed by Bob Khaleel
Courtesy of Hollywood Records - “Never Let You Go”
Written by Gabriel Gilbert, Nick Laird Clowes, Frank Berman, Christian Berman, Jeff Coplan and Matthias Hass
Incorporates elements of “Life In a Northern Town”
Written by Gabriel Gilbert and Nick Laird-Clowes
Performed by Jakaranda
Courtesy of Crave
By Arrangement with Sony Music Licensing - “Parents Just Don’t Understand”
Written by Pete Harris, Will Smith and Jeff Townes
Performed by DJ Jazzy Jeff and The Fresh Prince
Courtesy of Jive Records - “In The Mood”
Written by Joe Garland - “Let’s Get Together”
Written by Richard M. Sherman (as Richard Sherman) and Robert B. Sherman (as Robert Sherman)
Performed by Nobody’s Angel
Courtesy of Hollywood Records - “Everyone Merenge”
Written and Performed by Joe Bones Johnson
Courtesy of Associated Production Music - “I Love You For Sentimental Reasons”
Written by Deek Watson and Willie Best (as William Best)
Performed by Linda Ronstadt
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Special Products - “How Bizarre”
Written by Alan Jansson and Paul Fuemana
Performed by OMC
Courtesy of PolyGram Records Ltd.
By Arrangement with PolyGram Film & TV Music - “Ev’ry Time We Say Goodbye”
Written by Cole Porter
Performed by Ray Charles and Betty Carter
Courtesy of Ray Charles Enterprises Inc. - “This Will Be (An Everlasting Love)”
Written by Charles Jackson and Marvin Yancy
Performed by Natalie Cole
Courtesy of Capitol Records
Under license from EMI Music Special Markets - “Am I The Same Girl”
by Dusty Springfield
Plot summary for
The Parent Trap (1998)
Identical twins Hallie and Annie were separated at birth when their parents divorced. After the two meet at summer camp, they begin plotting to reunite their estranged parents. Written by Sally {biographies@hotmail.com}
Hallie Parker and Annie James. They look exactly alike and are sisters. It would be awesome for you to be a twin, but what is it like being a twin without even knowing it? That’s what it’s like for these girls. Hallie is a cool, laid-back gal from California. Annie James is a proper rose from London. Annie has never met her father, and Hallie has never met her mother. When they get thrown into the Isolation Cabin, they uncover the mystery behind the ripped picture. They realize that they are twin sisters seperated at birth by their divorced parents, and they decide to switch places to meet the parent that they’ve never met. They also decide to get them back together. But then something awful happens that will wreck everything: their father is engaged to a beautiful, selfish witch who’s only after their dad’s money. Written by Ally__bear
Summer camp in Maine, USA. Two young redheads, Hallie and Annie, coincidentally meet and discover that they look pretty (and) similar. Soon, their common history opens up when they are banned into the isolation cabin for unsocial behaviour. Being twin sisters, their parents separated them at birth and divorced also. So, Annie grew up in London, England, living with her mother Elizabeth, who is a wedding gown designer. Hallie lived with her father Nick, a vineyard-owner, in Napa Valley, California. Both sisters decide to switch sides, as Annie never had a father and Hallie never had a mother. All works well, until Nick decides to marry Meredith, a creepy but beautiful woman who is only after his money. Now, the girls decide to let the parents meet. Let the games begin. Written by Julian Reischl {julianreischl@mac.com}
Hallie Parker and Annie James are identical twins separated at a young age because of their parents’ divorce. unknowingly to their parents, the girls are sent to the same summer camp where they meet, discover the truth about themselves, and then plot with each other to switch places. Hallie meets her mother, and Annie meets her father for the first time in years. they then make a plan to set up their parents, which suddenly goes awry with an announcement from their father. the story goes through many different twists and turns, and is an amazing story from start to finish. Written by anonymous
What if you spent your whole life wishing for something you didn’t know you already had? Hallie Parker and Annie James are about to find out. Hallie is a cool girl from California. Annie is a fair rose from London. When the two accidentally meet at summer camp, they think they have nothing in common except…they’re identical twins! Now they’re up to their freckles in schemes and dreams to switch places, get their parents back together and have the family they’ve always wished for! Written by DisneyMadness.
Memorable quotes for
The Parent Trap (1998) Hallie: You wanna know the *real* difference between us?
Annie: Let me see… I know how to fence and you don’t… Or I have class and you don’t. Take your pick.
Hallie: Why I oughta!
Hallie: I have a brilliant beyond brilliant idea!
Annie as Hallie: I know what mystery my father sees in you.
Meredith Blake: You do?
Annie as Hallie: You’re young, beautiful, sexy, and hey the guy is only human, but if you ask me marriage is supposed to be based on more then just sex, right?
Annie: That girl is without a doubt, the lowest, most awful creature to ever walk the planet!
Hallie: [watching from outside] Thank you, thank you very much.
Annie: [Hallie just finished cutting Annie's hair to look like hers] This is so scary.
Hallie: Honey you never looked better.
Grandpa Charles James: [Annie smells him] What are you doing?
Hallie as Annie: Making a memory! Years from now when I’m all grown up I’ll always remember my grandfather and how he always smelled of
[smells him again]
Hallie as Annie: peppermint and pipe tobacco.
Hallie as Annie: [crying, seeing her mother for the first time] I’m sorry, it’s just I’ve missed you so much.
Elizabeth James: I know, it seems like it’s been forever.
Hallie as Annie: You have no idea.
Annie as Hallie: [after a discussion about how Annie as Hallie seems different to Chessy] Chessy, I changed a lot over the summer, that’s all.
Chessy, the Parker’s Maid: OK, boy if I didn’t know any better I’d say it’s almost like you were… forget it, it’s impossible.
Annie as Hallie: Almost if I were who, Chessy?
Chessy, the Parker’s Maid: Nobody, nobody, forget I mentioned it.
Annie as Hallie: Almost if I were… Annie?
Chessy, the Parker’s Maid: You know about Annie?
Annie as Hallie: [dropping her "Hallie" accent] I… am Annie.
Hallie as Annie: His and hers kids. No offense, Mom, but this arrangement really sucks.
Elizabeth James: I agree, it totally sucks.
Annie: [Hallie is getting ready to cut Annie's hair] Don’t shut YOUR eyes!
Hallie: Okay, sorry. Got a little nervous!
Annie: YOU’RE nervous? An 11 year-old is cutting my hair!
Hallie: Hey, you sounded just like me!
Annie: Well, I’m supposed to, aren’t I?
[last lines]
Hallie: We actually did it!
Martin, the James’ Butler: Shall we review your mother’s list?
Annie: Mm-hmm.
Martin, the James’ Butler: Now, let’s see. Vitamins?
Annie: Check.
Martin, the James’ Butler: Minerals?
Annie: Check.
Martin, the James’ Butler: List of daily fruits and vegetables?
Annie: Check, check.
[Martin glances at Annie]
Annie: Check for fruits, check for vegetables. Go on.
Martin, the James’ Butler: Sunblock, lip balm, insect repellent, stationery, stamps, photographs of your mother, grandfather, and of course, your trusty butler, me.
Annie: Got it all, I think.
Martin, the James’ Butler: Oh, and here’s a little something from your grandfather.
[Holds up a deck of cards]
Martin, the James’ Butler: Spanking new deck of cards. Maybe you’ll actually find someone on this continent who can whip your tush at poker.
Annie: Well, I doubt it, but thanks, Martin.
Hallie: [playing poker with Annie at camp] I’ll tell you what. I’ll make you a little deal. Loser jumps into the lake after the game.
Annie: Excellent.
Hallie: Butt naked.
Annie: Even more excellent. Start unzipping Parker. Straight, in diamonds.
Hallie: You’re good James, but, you’re just not good enough. In your honor, a royal flush.
Meredith Blake: You know, the way your father described you, I expected a little girl, but you are so grown-up.
Annie as Hallie: I’ll be twelve soon. How old are you?
Meredith Blake: Twenty-six.
Annie as Hallie: Only fifteen years older than me! How old are you again, Dad?
Nick Parker: Wow, suddenly you’re so interested in math!
Annie: Any of your pictures ruined?
Hallie: Only the beautiful Leo DiCaprio…
Annie: Who?
Hallie: You’ve never heard of Leonardo DiCaprio? How far away is London anyway?
Meredith Blake: The day we get married is the day I ship those brats off to Switzerland, get the picture? It’s me, or them. Take your pick.
Nick Parker: Them.
Meredith Blake: Excuse me?
Nick Parker: T-H-E-M. Them. Get the picture?
Nick Parker: [hiking] I’m going to take the lead. You two help Meredith.
Meredith Blake: [looks at the girls] Sure you’ll help me. Right over a cliff you’ll help me.
Hallie: [whispering to Annie] Not a bad idea.
Annie: Yeah, see any cliffs?
Marva Kulp, Sr.: Excuse me, girls. I just got to have a sculp of these gorgeous strawberries. Would you care for some dear?
Hallie: Oh, no thanks, can’t. I’m allergic.
Marva Kulp, Sr.: Oh, that’s too bad. How about you, dear, strawberries?
Annie: Oh sorry I wish I could, but I can’t, I’m allergic.
Marva Kulp, Sr.: Yes, you just told me that over here. How’d you get over there? Well, first day at camp you’ll have to excuse the old girl.
[Annie walks away]
Marva Kulp, Sr.: At least I’m not putting salt in the sugar shakers. Well, actually sugar in the salt shakers, but… now where did she get off to?
Annie: Need a hand, Mer?
Meredith Blake: Not from you, thank you. Don’t think I can see past those angelic faces. One more trick from you two, and I promise I’ll make your lives miserable from the day I say “I do.” Got it?
Hallie: Got it, Cruella.
Meredith Blake: What did you call me?
Hallie: Nothing. Nothing. Not a thing, Cruella. Oh, by the way, Mer. I think there’s something on your head.
[the lizard is on her head]
Nick Parker: You know, I may never be alone with you again. So about that day you packed, why’d you do it?
Elizabeth James: Oh, Nick. We were so young. We both had tempers, we said stupid things so I packed. Got on my very first 747, and you didn’t come after me.
Nick Parker: I didn’t know that you wanted me to.
Elizabeth James: Well, that really doesn’t matter anymore. So, let’s put on a good face for the girls and get the show on the road, huh?
Nick Parker: Yeah, sure. Let’s get the show on the road.
Meredith Blake: First change I make is to send that two-faced little brat off to boarding school in Timbuktu.
Richard, Meredith’s Assistant: Oof, Ice Woman!
Meredith Blake: Proud of it, babe!
Nick Parker: [after explaining to Elizabeth why they returned early from the camping trip] So, where’s Chessie? I’m starving.
Elizabeth James: Well, she and Martin went off to a picnic around noon. Yesterday.
Nick Parker: [Impersonating Cary Grant] Really. Who would have thought. My nanny, your butler.
Elizabeth James: [thinking she is talking to her father, who has a newspaper up between them] Hello, you!
Hallie: [puts down newspaper. then] Hey Mom, did you know that the Concorde gets you here in half the time?
Elizabeth James: [flustered] Yes, I, I’ve heard that…
Annie: [after Hallie surprises Elizabeth and Annie by arriving in London and showing up at their home before Elizabeth and Annie do] What are you doing here?
Hallie: It took us abound 30 seconds after you guys left for us to realize we didn’t want to lose you two again.
Elizabeth James: We?
Nick Parker: [walking in from another room] We. I made the mistake of not coming after you once, Lizzie. I’m not going to do that again no matter how brave you are.
Elizabeth James: And I suppose you just expect me to go weak at the knees, and fall into your arms and cry hysterically. And say we’ll just figure this whole thing out. A bi-continental relationship with our daughters being raised here and there. And. And, you and I just picking up where we left off and growing old together. And. And. C’mon Nick what do you expect? To live happily ever after?
Nick Parker: Yes. To all of the above. Except you don’t have to cry hysterically.
Elizabeth James: [With tears in her eyes] Oh, yes I do.
[he kisses her]
Nick Parker: You know, sometime if we’re ever really alone maybe we could talk about what happened between us. You know it’s all a bit hazy to me now. It ended so fast.
Elizabeth James: It started so fast.
Nick Parker: Well, that part I remember perfectly.
Elizabeth James: [after the limo pulls up to the end of an empty pier and everyone gets out] Where are we?
Nick Parker: This is where we’re eating?
Hallie: [Pointing to a 100+ foot yacht] No. Actually that’s where we’re eating.
Annie: She’s ours for the night.
Nick Parker: Wow. So, how exactly are we paying for this?
Annie: Well, we pooled our allowances.
Nick Parker: Yeah. Right. Annie?
Annie: Okay. Grandfather chipped in a bit.
Elizabeth James: Annie!
Annie: Okay. He chipped in a lot.
Hallie as Annie: Seeing all these wedding dresses, doesn’t it make you think about the “f” word?
Elizabeth James: The “f” word?
Hallie as Annie: My father!
Elizabeth James: [Hallie, as Annie, is underneath Elizabeth's covers struggling to tell her about the switch] Annie!
Hallie as Annie: That’s where I have to go! I have to go see Annie!
Elizabeth James: Oh, I see, and where might Annie be?
Hallie as Annie: In Napa, with her father Nick Parker.
Elizabeth James: You’re not Annie?
Elizabeth James: That would be correct.
Elizabeth James: You’re Hallie?
Hallie as Annie: I am. Annie and I met up at camp and, and we decided to switch places. I’m sorry, but I’ve never seen you and I’ve dreamt of meeting you my whole life and Annie felt the exact same way about Dad so, so we sort of just switched lives. I hope you’re not mad because I love you so much, and I just hope that one day you could love me as me, and not as Annie.
Elizabeth James: Oh darling, I’ve loved you your whole life.
Martin, the James’ Butler: [sobbing] I’ve never been so happy in my entire life.
Annie: [Elizabeth and Hallie have arrived at the hotel to meet Nick and Elizabeth is drunk and Annie see her] She’s drunk! She’s never had more than one glass of wine her entire life and she chooses today to show up totally zonked!
Elizabeth James: [walking down the hall in the hotel] Hallie Parker!
[both girls exit from rooms across the hall from each other]
Elizabeth James: Oh, don’t do this to me. I’m already seeing double.
Hallie: Oh my God.
Annie: What?
Hallie: I have pierced ears.
Annie: No, no and no. Not happening. Sorry, wrong number. I won’t. I refuse.
Hallie: Then cutting your hair was a total waste. There’s no way I can go to camp with pierced ears and come home without them. I mean, come on. Get real.
Nick Parker: I told Hallie.
Meredith Blake: You did? And?
Nick Parker: She went ballistic. She started yelling in French. I didn’t even know she spoke French.
Hallie: [takes out a box of Oreos] Want one?
Annie: Oh, sure. I love Oreos. At home, I eat them with… I eat with peanut butter.
Hallie: You do? That is so weird.
[takes out a jar of peanut butter]
Hallie: So do I.
Annie: You’re kidding? Most people find that totally disgusting.
Hallie: I know. I don’t get it.
Annie: Me either.
Chessy, the Parker’s Maid: [just found out that the girls switched places and is crying] Can I hug her?
Nick Parker: Hal, we gotta talk.
Annie as Hallie: Okay shoot.
Nick Parker: Honey, look… I want to know what you think about making Meredith part of the family?
Annie as Hallie: Part of our family?
Nick Parker: Yes.
Annie as Hallie: I think it’s an awesome idea. Inspired. Brilliant really.
Nick Parker: You do?
Annie as Hallie: Totally, it’s like a dream come true. I’ve always wanted a big sister.
Nick Parker: Honey, I’m afraid you’re kind of missing the point.
Annie as Hallie: No, I’m not. You’re gonna adopt Meredith. That is so sweet, Dad.
Nick Parker: I’m not going to adopt her. I’m going to MARRY her.
Annie as Hallie: [leaps from her spot] Marry her? That’s insane! How can you marry a woman young enough to be my big sister?
[she begins to rant, accidentally yelling in French]
Nick Parker: Hal, Hal, Hal.
[realizes]
Nick Parker: We’re you speaking French?
Annie as Hallie: Oh… I learned it at camp.
[takes a breath]
Nick Parker: Man, what has gotten into you?
Annie as Hallie: Nothing! It’s just… just… Dad, you can’t get married! It’ll totally ruin completely everything!
[she runs from the house]
Nick Parker: Hal!
[he looks to Chessy]
Chessy, the Parker’s Maid: Don’t look at me. I don’t know a thing.
[she closes the windows]
Annie: Hallie, what was your mother like?
Hallie: I never met her. She and my Dad split up when I was a baby, maybe even before, I’m not sure. He doesn’t really like to talk about her… but I know she was really beautiful.
Annie: How do you know that?
Hallie: Because my dad had this old picture of her hidden in his sock drawer and he caught me looking at it all the time so he gave it to me to keep. I’m really thirsty, you sure you don’t want to go to the canteen and get something to drink?
Annie: Will you stop thinking about your stomach at a time like this!
Hallie: At a time like what?
Annie: [as she and Hallie step back into the cabin] Don’t you realize what’s happening? Oh man, this is beyond coincidence, this is beyond imagination! I only have a mother, and you only have a father… You’ve never seen your Mom, and I’ve never seen my Dad. You have one old picture of your Mom, I have one old picture of my Dad but at least yours is probably a whole picture.
[Hallie races over to her trunk]
Annie: Mine’s a pathetic little thing, ripped right down the middle… What are you rummaging in your trunk for this time?
Hallie: [she finally faces Annie as she hold a picture to her chest] This. It’s the picture of my Mom. And it’s ripped too.
Annie: [knowing] Right down the middle?
Hallie: [nervously] Right down the middle.
Annie: [races over to her trunk and takes out a photo and holds it to her chest] This is so freaky. Okay. On the count of three, we’ll show them to each other, okay?
Hallie: Okay.
Annie: One…
Hallie: Two…
Annie: [together with Hallie] Three!
[they both gasp as they place the photo together and realize... ]
Hallie: That’s my Dad…
Annie: That’s my Mom…
[she hears the bell]
Annie: That’s the lunch bell.
Hallie: [as she wipes away her tears] I’m not so hungry anymore. So if your Mom is my Mom and my Dad is your Dad… and we’re both born on October 11th, then you and I are… like… sisters.
Annie: Sisters? Hallie, we’re like twins!
Hallie: Oh my god!
Annie: Oh my god!
[they hug]
Annie: This is Martin, our butler
Hallie: [in shock] We have a butler?
Martin, the James’ Butler: I found a stowaway in your suitcase.
[holds up Cuppy]
Hallie as Annie: [whispering] Oh my God. Cuppy.
[Hallie is trying to convince Annie the proposed switch will work]
Hallie: Look, I can do you already.
[Hallie pulls her hair back and adopts a British accent]
Hallie: “Yes, you want to know the real difference between us? I have class and you don’t.” Come on, Anne. I gotta meet my ma.
[arranges her expression into a pout]
Elizabeth James: [having drink with Meredith] Here’s to… here’s to you. May your life be far less complicated than mine.
Meredith Blake: Why thank you.
Annie: Okay, this is Grandfather…
Hallie: He’s so cute! What do we call him?
Annie: Grandfather…
Hallie: Why didn’t I think of that?…
Nick Parker: [about Meredith on the camping trip] I’m not marrying her because she’s Annie Oakley.
Hallie: Who’s Annie Oakley?
Filming locations for
The Parent Trap (1998)
- Administration Building, Treasure Island, California, USA
- (Stratford Hotel Exterior)
- California, USA
- Camp Seeley - 250 N. Hwy 138, Crestline, California, USA
- Lake Gregory, California, USA
- London, England, UK
- Long Beach, California, USA
- (airport scene)
- Los Angeles, California, USA
- Napa Valley, California, USA
- (Staglin Family Vineyard)
- RMS Queen Mary - 1126 Queens Highway, Long Beach, California, USA
- San Bernardino National Forest, California, USA
- San Francisco, California, USA
click here to enjoy the movie!
http://www.youtube.com/view_play_list?p=4F087738D09A7548
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